By Juan Sybert-Coronado / Guest columnist
Posted: 03/22/2015 12:00:00 AM MDT
The current kerfuffle over the Hispanic cultural center is based on two misunderstandings: Culture is not race and a cultural center is not a history museum.
In the United States, people are assigned a race at birth. Usually this is done based on skin color.
Culture is developed by each individual over the course of a lifetime based on experiences, associations, and personal tastes.
Hispanics are as güera as Shakira and as dark as Nolan Richardson.
The Hispanic racial umbrella is based on the concept of mestizaje, the notion of an infinite horizon of hybridity. As the Mexican-American comedian Louis C.K. says, “Mexico is just like America — it’s made up of some white people, some black people, and some brown people.”
But Hispanic culture is not color bound. Anyone who lives in a Hispanic environment and adopts some of its customs becomes Hispanic.
This defines almost everyone in our city. If it doesn’t it’s not because they have been excluded, but because they have consciously decided not to participate.
If you have a strong preference for red or green enchilada sauce, you might be Hispanic.
If you think that “The House on Mango Street” or “The Last of the Menu Girls” speaks to your understanding of the world, you are definitely Hispanic.
But there is more than one way to be Hispanic.
Our musicians include Vicente Fernandez, Dinah Shore, Carlos Santana, Jerry Garcia, and Fergie.
Hispanic visual artists are just as varied. Frieda Kahlo is important. But so are Hal Marcus, Luis Jimenez, Gaspar Enriquez, and the endless interpreters of the Virgin of Guadalupe.
Everyone who has settled in El Paso has contributed to the ongoing process of creating our unique Hispanic culture.
This includes the Buffalo soldiers who remained in our city after their enlistments and often married Mexican women, beginning the Blaxican culture of our community. It also includes recent arrivals who quickly learn that we don’t wear sombreros, but we appreciate a pair of Lucchese boots as much as a pair of Nikes.
It is the role of cultural centers to celebrate the contributions of everyone who has created that culture while acknowledging their races or previous cultural backgrounds.
A Hispanic cultural center should be designed to bring us together by examining the thousands of threads that weave our social fabric into a unique El Paso Hispanic tapestry.
Many of the desires of the proposed center’s critics are historic in nature.
Hopefully, Donald Williams and Bernie Sargent will address their legitimate concerns to the El Paso History Museum whose mission is to preserve and tell the story of El Paso’s past.
They should also visit a few other institutions before insisting that the proposed Hispanic cultural center become another history museum.
Mexico City’s anthropological museum is a good model for us.
It uses history to illuminate the origins of Mexico’s multiple cultures, but its chief focus is on the how the ongoing hybridizing process of culture creation is making Mexico a vibrant country today.
Juan Sybert-Coronado is a longtime El Paso educator.
You must be logged in to post a comment.